Everything about The History Of Ideas totally explained
The
history of ideas is a field of
research in
history that deals with the expression, preservation, and change of human
ideas over time. The history of ideas is a sister-discipline to, or a particular approach within,
intellectual history. Work in the history of ideas may involve interdisciplinary research in the
history of philosophy, the
history of science, or the
history of literature. In
Sweden, the history of ideas has been a distinct university subject since the 1930s, when
Johan Nordström, a scholar of literature, was appointed professor of the new discipline at
Uppsala University. Today, several universities across the world provide courses in this field, usually as part of a graduate program.
The Lovejoy approach
The historian
Arthur O. Lovejoy (1873–1962) coined the phrase
history of ideas and initiated its systematic study in the early decades of the
twentieth century. For decades Lovejoy presided over the regular meetings of the
History of Ideas Club at
Johns Hopkins University, where he worked as a professor of history from 1910 to 1939.
Aside from his students and colleagues engaged in related projects (such as
René Wellek and
Leo Spitzer, with whom Lovejoy engaged in extended debates), scholars such as
Isaiah Berlin,
Michel Foucault,
Christopher Hill,
J. G. A. Pocock and others have continued to work in a spirit close to that with which Lovejoy pursued the history of ideas. The first chapter/lecture of Lovejoy's book
The Great Chain of Being[ lays out a general overview of what he intended to be the program and scope of the study of the history of ideas.
]Unit-ideas
Lovejoy's history of ideas takes as its basic unit of analysis the unit-idea, or the individual concept. These unit-ideas work as the building-blocks of the history of ideas: though they're relatively unchanged in themselves over the course of time, unit-ideas recombine in new patterns and gain expression in new forms in different historical eras. As Lovejoy saw it, the historian of ideas had the task of identifying such unit-ideas and of describing their historical emergence and recession in new forms and combinations.
Modern work
Quentin Skinner has been influential with his critique of Lovejoy's "unit-idea" methodology. Instead, he proposes a sensitivity to the cultural context of the texts being analysed and the ideas they contained.
Further Information
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